Monique Polak

I've heard some writers complain that they get so caught up doing research they lose sight of what they were planning to write about! I'm more into researching on a need-to-know basis. For my latest book, What World Is Left, I spent about six months doing research -- interviewing my mum,  on whom the book is based, and researching Theresienstadt, the Nazi concentration camp

I think a lot of people in Montreal were feeling optimistic today. The temperature was hovering around zero -- way warmer than usual for this time of year. My act of optimism was that I hung the sheets out on the clothesline. (You may know that I have an obsession with clotheslines.) Now I wish I'd taken a photo for you -- the sheets billowing in the breeze, a good five feet of snow on the

Every writer needs to know the answer to this question. Last night, I was working on the re-write of my George River manuscript and I have to admit I was feeling a tad overwhelmed. There's so much to do!

This morning, I got up, wrote my morning pages (three pages every single morning no matter what!), went for a run... and then I came back up here to the computer. And you know what?...

Since I came home from school today, I've been working on the rewrite of my George River manuscript (that's my YA novel set in Nunavik). I'm working with something called "track changes." That means my editor, Sarah Harvey, has made notes directly onto my computer manuscript and I respond to her notes (also on the computer manuscript). It's kind of like having a conversation

Gee, I really had to slow down to get those apostrophes right in the title of today's blog entry! So, today  I'd like to introduce you to Faye Smailes, YA editor at James Lorimer & Co., in Toronto. When I was at the OLA conference, Faye and I arranged to meet up (several of my books including On the Game and Scarred are published by Lorimer). Faye has been working

So I've got loads to tell you about Genevieve Cote's visit yesterday to Marianopolis College here in Montreal. Genevieve has written and illustrated many picture books. In 2007, she won the Governor General's Prize for her illustrations in The Little Word Catcher.

Genevieve began her talk by telling us that writing the text for a picture book is far more difficult than most people

Yesterday, my photographer friend Monique Dykstra and I did a videoconference. That means we worked with a class on live-video. We were out in Laval; the students were in Franklin Centre, near the American border. This is all part of a great project called Quebec Roots, organized by the Blue Metropolis Literary Foundation. We are helping the students put together a chapter for a book about Quebec

At the Ontario Library Association super-conference last week, I also met Rene Schmidt, the author of Leaving Fletchville (Orca). Rene and I have been in touch because it turns out we met about 40 years ago! There is another coincidence: Rene's grandfather was the minister in a Dutch town close to where my grandparents lived; they were very kind to my family during difficult times

Hi there! I'm writing to you from the lobby of my hotel in Toronto. I'm just back from my little talk at the Ontario Library Association. I was one of 20 children's authors invited to speak about our work. I talked about my latest book What World Is Left -- and I have to admit I got a little choked up telling the story behind the story, how the book is based on my mum's

If you don't believe me, ask the students in my "Writing for Children" class. They are aged 16 to 19, and this morning, I got them to sit on the floor in front of me while I read them two picture books. And you know what? I could tell they had a good time! Maybe even a great time!!

I "read" them A. Guillope's Loup Noir. I put the word "read" in quotation